Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:09

SEMA News—October 2013

BEST PRACTICES
By Steve Campbell

Selecting a Public Relations Agency

Matching Companies With Marketing

 

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.
Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines. 

  
Getting products in front of potential customers is the lifeblood of marketing. Whether through straightforward advertising placed in pertinent outlets or through creative ventures handled by public relations (PR) agencies, getting the word out is key.

We included an article on best practices for selecting an ad agency in our February 2013 issue (“Finding the Right Advertising Agency,” p. 60), and this month, we’re taking a look at selecting a PR firm.

Traditional advertising agencies design, create and place ads for specific media—print, broadcast, billboards, web and elsewhere—to help sell specific goods or services, employing teams of art directors, writers and management personnel. Public relations, on the other hand, is designed to educate, inform, influence, provide solutions, create good will, enhance reputation, elicit feedback and support both the client company and the community, according to Tracy L. Teuscher, APR, president of The Buzz Maker! LLC.

“Public relations may include consumer, media, community, member and employee relations as well as marketing communications, internal or crisis communications, to name a few,” she said. “True PR involves a good bit of problem solving. PR professionals will be able to advise you about their areas of specialty but if advertising or marketing will be integrated into the communication plan, the team may include other specialized professionals or a good referral. For example, advertising may be very helpful in selling a product, but when it comes to reputation management, PR is the best choice. What do you want people to know? What do you want them to do? Asking these two questions is a good place to start.”

 David Leach, president of Aftermarket Media
David Leach, president of Aftermarket Media
www.aftermarketmedia.com
  
Teuscher and other PR professionals point out that public relations is far more than just issuing press releases. “In fact,” she said, “the press release is just one of countless tactics that may be used to address communications strategy and accomplish goals and objectives. Other tactics may include things such as media relations, a newsletter, direct mail, personal calls to opinion leaders, a company fact sheet, an online newsroom, a media kit, a brochure or product placement.”

Until fairly recently, advertising and PR were two distinctly different functions in the marketing of automotive specialty-equipment products. As with so many other aspects of modern commerce, the Internet has created some blurring of the lines.

“From the largest global conglomerates to the smallest boutique agencies, most firms have adapted a more blended approach to marketing,” said Dan Kahn, president of Kahn Media Inc. “As traditional media outlets shrink and online outlets offer more pay-to-play and advertorial content, agencies on both sides of the aisle have had to alter their business models to do what works best for each individual client. In most cases, this means handling everything from content creation for editorial and advertising to negotiating stories and ad buys.”

Public relations firms come in all shapes and sizes. Some employ cadres of creative folk who can handle anything from writing a compelling press release to shooting a high-concept video. They may cover the gamut of the industry, with clients in every facet, or they may be highly specialized agencies that concentrate on a single segment of a given marketplace. Dave Wolin, president of Dave Wolin Inc., is firmly in the latter camp. As a racer, his passion and expertise are in helping the racing industry, and his clients are almost all small businesses.

“The Internet has changed marketing,” Wolin said. “A small-town speed shop and race car supply store that’s always sold things locally and never needed an ad agency or PR firm can now market nationally with a website. E-commerce is relatively inexpensive and easy to do, so small companies can advertise using products, such as Google Ad Words, which is very highly targeted and focused. Many times these small businesses can’t get much done other than working every day, so not only do I take care of their advertising, e-commerce and so on, but I also sometimes can send somebody out to the racetrack to hand out their flyers. We do anything that’s necessary.”

 Dan Kahn, president of Kahn Media Inc.
Dan Kahn, president of Kahn Media Inc.
www.kahnmedia.com
  
Kahn’s client list is more varied, but he takes a similarly eclectic view of what his agency should be able to provide, looking at his client’s website or product as the hub in a marketing wheel.

“Each spoke represents a different communications channel, including print magazines, blogs, radio, podcasts, Facebook, Twitter, Instagram, YouTube and more,” Kahn said. “If all the channels carry coordinated messages and bring traffic back to the hub, you’re in business. So when you’re looking for an agency, make sure it is disciplined in all of those fields. A good agency essentially acts like your in-house marketing department, but with
economies of scale. You get all the benefits of a large marketing arm without the payroll and human-resources issues.”

The search for the right public-relations firm may best begin with a few conversations with other companies in the industry—businesses that you’ve worked with, people you respect, non-competitive organizations that seem to have a good grasp of marketing their products or services. You might also check out the listings in the SEMA Membership Directory. It’s available for download as a PDF or may be viewed in a searchable online form under the Membership tab on www.sema.org.

“Industry organizations, trade editors and industry leaders can be good sources of information,” explained Shari McCullough Arfons, president of McCullough Public Relations.

“Also, be sure to check the websites of agencies that serve the industry, where an initial evaluation can be made.”

 Donald Johnson, CEO of DJFMedia.com
Donald Johnson, CEO of DJFMedia.com
www.djfmedia.com
  
That initial evaluation will be necessarily superficial. Check out the SEMA Membership Directory listings; view the firm’s website; look for online reviews; give weight to the recommendations of your peers. Once you’ve narrowed your list of possibilities, it’s time to sit down face to face.

“Meet with three or four different agencies, because it’s very important who you choose to help put your face on your product and develop your public imagery,” said Larry Weiner, president of Performance West Group. “Decide with them what their deliverables will be, and see what their agenda is and how they’re going to take care of your business. Also talk to some of their existing clients separately. Ask for a couple of referrals so that you can see if they are happy.”

McCullough Arfons said that an agency should be willing to provide several references as well as an extensive portfolio of work it has performed for other clients, but you should also conduct your own background research to determine whether the agency’s goals and culture fit your own.

“Like any commercial enterprise, agencies have individual brands,” she said. “That often can be sensed through the look and feel of the agency’s logo, its website and its overall style of communication.”

David Leach, president of Aftermarket Media, said that the search should begin by listing your wants, goals and expectations, including your budget.

“The clearer the client is regarding what they’re trying to achieve, the better,” he said. “Then compare the agencies’ pitches and costs with your needs. One good way to ‘test’ an agency is to start with a small but defined project. All parties can learn a lot about each other from a short, measurable task. Moreover, the client and the agency can get to know each other better before getting into a larger, longer-term project.”

Larry Weiner, president of Performance West Group
Larry Weiner, president of Performance West Group
www.performancewestgroup.com
 
  
Teuscher also said that knowing the client’s needs, goals and budget are crucial to the process. And if the client needs help outlining those items, she recommends investing a small sum in hiring a good PR consultant.

“A good and ethical consultant will assist a company in outlining needs, goals, objectives, strategies, tactics and channels that will be best based upon the budget the company has outlined,” she said. “That includes understanding the differences between advertising, marketing and public relations and how to use each effectively.”

Kahn also advised looking at the agency’s background and its expertise in the automotive realm. The agency should understand not only the client’s product or service, but also its business model, its challenges and where its growth will come from.

“Most importantly, find out if they’re really car people,” he said. “Just as most of us wouldn’t want to feign interest in needlepoint because we’d be called out, you can’t fake being a car person, and the effectiveness of an agency hinges on its ability to understand and have a passion for the subject matter.”

 Shari McCullough Arfons, president of McCullough Public Relations
Shari McCullough Arfons, president of McCullough Public Relations 
www.mcculloughpr.com
  
Weiner also pointed out that the client has to ask each potential agency the same list of questions in order to get fair responses.

“Ask how many years the agency has been in business,” he suggested. “Ask for a list of clients the agency has represented so you can talk to them, and get into specifics about the types of programs you’re interested in. Every client is going to have different sets of needs.”

Even small businesses that don’t have funds for big-budget marketing schemes can benefit from working with a PR firm. The costs don’t have to be astronomical, and many firms will adjust their rates based on the growth potential of a client.

“A smaller company can sometimes work a deal with an agency where they can grow together,” said Donald Johnson, CEO of DJFMedia.com. “If the agency produces results, the client can work up a raise every fiscal quarter based on gross sales.”

The experts were virtually unanimous about the use of PR professionals by smaller companies. When a company is concentrating on day-to-day operations—raw materials, manufacturing, human resources, health-care costs—there simply isn’t time to also run a comprehensive marketing campaign.

“Some clients have used our services and then feel that they could take it from there, save some money,” Johnson said. “But smaller clients usually don’t have many contacts or marketing experience, so they return because they find that they really can’t get along without an agency.”

 Website: www.thebuzzmaker.com
Tracy L. Teuscher, APR, president of The Buzz Maker! LLC
www.thebuzzmaker.com
  
Still, the best client/agency relationships include frequent and comprehensive interactions between experts on both sides of the fence.

“Our most successful campaigns are those where we have a strong in-house marketing lead to work with,” Kahn said. “The client explains what the product or service is, where it fits in the market and who their potential customers are. The agency focuses on how to best connect with those targets and the process of reaching them as quickly and effectively as possible. In real-world terms, we usually write, send and pitch press releases and in many cases also generate blog posts and all the social-media content for our clients. The in-house marketers at most client offices typically focus on creating the product content for websites and interacting with their customers at the warehouse-distributor level.”

Another step in the process is a “request for proposal” or RFP. The request is usually made only after a number of personal meetings where the client and the agency have developed a rapport and have determined that they would work well together. An RFP is simply a request from the client for a list of deliverables that will be provided by the agency. It can be extremely detailed—specific programs that the agency will develop for specific products as well as a budget for the work to be done—or a more generalized description of how the client and agency will work together. But the request should only come when the client is ready to commit to the agency.

“A good RFP can cost an agency about 40 hours of work,” Johnson said, “and you run the risk of the client throwing it away. You need to be pretty sure that you’ve selected the agency you want before you ask for a proposal, and it can become so expensive that you try to hammer out the details over the phone or face to face.”

Dave Wolin, president of Dave Wolin Inc.
Dave Wolin, president of Dave Wolin Inc.
www.davewolin.com
 
  
A document that provides details for the marketing budget can eliminate misunderstandings and billing problems down the line. Some companies bill for time and materials, while others use flat-rate or retainer billing systems. In either case, the method should be spelled out and agreed to.

There should also be agreement about the reporting of results and how to gauge the success of the relationship.

“We supply clients with a monthly electronic press-clipping report as well as a comprehensive DVD at the end of the year,” McCullough Arfons said. “We always document our return on investment to the client.”

A good public relations firm can help companies large or small build their brands, achieve product recognition and influence the ledger sheet.

“A good PR firm should create meaningful strategies and then outline recommended tactics and communication channels that will offer the most effective results and the best return on investment,” Teuscher said. “Public relations seeks to learn about and define the audiences, develop a course of action, implement communication strategies and tactics that will engage audiences and stimulate market response, and then evaluate the results.”

Tue, 10/01/2013 - 11:08

SEMA News—October 2013

EVENTS
By Mike Imlay

The New Products Showcase

Connecting Buyers, Sellers and Media at the SEMA Show

 

All products are carefully photographed when they come into the New Products Showcase. SEMA then makes the images available to media and other interested parties all year long, both online at www.semaphotos.com and via SEMA News.
All products are carefully photographed when they come into the New Products Showcase. SEMA then makes the images available to media and other interested parties all year long, both online at www.semaphotos.com and via SEMA News

  
If you’re a SEMA Show exhibitor, product exposure is the name of the game. Your number-one goal is attracting buyers and media to your booth, where you can discuss and demonstrate your new and featured products in person. If, on the other hand, you’re a buyer or media attendee, your priority is saving time and legwork in discovering the latest and greatest product innovations amid more than a million square feet of booths and exhibits vying for your attention. Fortunately, there’s an efficient solution for everyone: The SEMA Show’s New Products Showcase.

For exhibitors, buyers and media alike, the New Products Showcase has become a focal point of the SEMA Show. Survey data indicates that 87% of buyers consider new products their first mission when the Show opens. In fact, it’s common strategy among buyers and media to head for the Showcase first, before they do anything else, because it allows them to review more than 2,000 of the aftermarket’s hottest items in one fell swoop. This helps them decide which booths they will visit during the remainder of the Show. Obviously, exhibitors who display product in the Showcase have an edge.

“Open to all exhibitors and located in the upper level at the east end of the Las Vegas Convention Center’s South Hall, the approximately 25,000-sq.-ft. New Products Showcase plays a vital role in connecting buyers, sellers and media,” said Peter MacGillivray, SEMA vice president of communications and events. “If an exhibitor wants to get a product out in front of buyers and the press, entering the New Products Showcase is a no-brainer. An overwhelming majority of buyers look to the Showcase in hopes of finding products that they can add to their businesses, while media attendees make use of the Showcase to cover the latest product trends.”

Given those facts, Show planners do everything they can to encourage exhibitors to take advantage of this tremendous opportunity, said SEMA Show Director Tom Gattuso. “While the New Products Showcase currently boasts more than 2,000 products from hundreds of exhibitors, we still would like to see even higher levels of participation. Almost without exception, exhibitors who actually do participate report better Show results compared with those who don’t.”

Showcase Synergy

 

The SEMA Show’s New Products Showcase is the number-one connection point for exhibitors, buyers and media. In fact, it’s the first destination for Show attendees seeking to get acquainted with the latest, greatest and hottest products the specialty-equipment industry has to offer.
The SEMA Show’s New Products Showcase is the number-one connection point for exhibitors, buyers and media. In fact, it’s the first destination for Show attendees seeking to get acquainted with the latest, greatest and hottest products the specialty-equipment industry has to offer.

  
The New Products Showcase is far more than a static display of aftermarket parts. It’s actually a dynamic, interactive exhibit space that continues to pay dividends long after the Show ends.

First, the cost to exhibitors is nominal—there is no charge for the first new product, and additional products can be entered for $75 a piece. SEMA has also streamlined the process of entering products, with professional teams standing by to help save time. In addition, the SEMA Show has partnered with UPS to simplify return shipping after the Show closes.

The New Products Showcase also makes use of laser scanners and bar codes so that buyers and media can capture product information at the speed of light as they move from product to product. That information can be e-mailed to a specified address or downloaded in several formats, including one for smartphones. Exhibitors, in turn, can look at the data to identify potential new customers and even new market segments. More extensive data fields are also being added into the product descriptions this year to improve compatibility with industry data standards.

Over the years, Show planners have also worked hard to further promote media access for exhibitors, developing a system whereby every new product is professionally photographed and posted so that media can download product content all year long. Moreover, all the photographed products find their way into SEMA News, the association’s trade magazine, which is seen by 18,000 industry professionals monthly. Show planners have also made the Showcase a focal point for international media, who provide feedback for the SEMA Show’s annual Global Media Awards.

But the media exposure doesn’t stop there. The New Products Showcase media efforts this year include an arrangement with Crane Communications’ Autoweek magazine, which expects its audience for SEMA new-product content to reach into the millions. Under the agreement, all Showcase products will automatically be enrolled at no cost into Autoweek’s exclusive SEMA Collection digital marketplace, where the products will be promoted to enthusiasts throughout the year. (To learn more about Autoweek’s SEMA Collection digital marketplace, visit here.)

Beyond products debuting for the very first time, the New Products Showcase also encompasses a Featured Product section for previously introduced products that aftermarket companies also might wish to highlight. “Introduced two years ago, this has turned out to be a very successful addition to the Showcase,” Gattuso said. “Now, if a company has a product that’s not necessarily new but still wants to Showcase it, they have that chance as well. It might be an especially innovative legacy or best-selling product. Whatever the case, there’s no better way to draw buyer and media attention to it.”

The New Products Showcase is primed to become more important to SEMA Show attendees this year than ever before.

“Exhibit space is currently 12% higher than at this time last year, making the 2013 SEMA Show on track to include more than 2,400 exhibiting companies—the highest in the SEMA Show’s 47-year history,” said McGillivray. “As a result, Show organizers have shifted away from a sales strategy and focused instead on helping exhibitors and buyers connect with one another during the event. The trend over the last few years has been one of increased industry optimism. More than 130,000 industry professionals typically attend the SEMA Show, making it the largest annual gathering of small businesses in the United States. Manufacturers and buyers come to the SEMA Show to do business. With a higher number of exhibitors at the upcoming Show, we expect the New Products Showcase to be bigger and more exciting than ever. More important, however, we will be promoting it as one of the best ways to introduce manufacturers, buyers and media to each other.”

Although the Show is right around the corner, it’s never too late for exhibitors to get new or featured products into the Showcase.

“We do have a deadline to take advantage of some price discounts if they have more than one product they wish to enter,” Gattuso said. “However, exhibitors are always allowed to enter one product for free right up to the last day of the Show. So if they miss a deadline associated with a price increase, there’s still no charge if they’re exhibiting just one product. They can Showcase in either the new or featured product category. It’s all up to them.”

Showcase Tips for Exhibitors

To enter new or featured products in the upcoming Showcase, go here. Online registration is easy and takes just minutes. To get the most from your Showcase experience, be sure to read all of the rules and guidelines associated with the registration process.

Of course, drawing attendees to your exhibit space through the New Products Showcase is only the first step. Once at your booth, buyers and media should be able to immediately see the products that brought them there displayed prominently.

“Avoid the common pitfall of cluttering your booth with every product you offer,” suggested Gattuso. “Lead with the core products you showcased and use them as conversation starters to present your business and other related products in a meaningful way.”

Tue, 10/01/2013 - 11:08

SEMA News—October 2013

EVENTS
By Mike Imlay

The New Products Showcase

Connecting Buyers, Sellers and Media at the SEMA Show

 

All products are carefully photographed when they come into the New Products Showcase. SEMA then makes the images available to media and other interested parties all year long, both online at www.semaphotos.com and via SEMA News.
All products are carefully photographed when they come into the New Products Showcase. SEMA then makes the images available to media and other interested parties all year long, both online at www.semaphotos.com and via SEMA News

  
If you’re a SEMA Show exhibitor, product exposure is the name of the game. Your number-one goal is attracting buyers and media to your booth, where you can discuss and demonstrate your new and featured products in person. If, on the other hand, you’re a buyer or media attendee, your priority is saving time and legwork in discovering the latest and greatest product innovations amid more than a million square feet of booths and exhibits vying for your attention. Fortunately, there’s an efficient solution for everyone: The SEMA Show’s New Products Showcase.

For exhibitors, buyers and media alike, the New Products Showcase has become a focal point of the SEMA Show. Survey data indicates that 87% of buyers consider new products their first mission when the Show opens. In fact, it’s common strategy among buyers and media to head for the Showcase first, before they do anything else, because it allows them to review more than 2,000 of the aftermarket’s hottest items in one fell swoop. This helps them decide which booths they will visit during the remainder of the Show. Obviously, exhibitors who display product in the Showcase have an edge.

“Open to all exhibitors and located in the upper level at the east end of the Las Vegas Convention Center’s South Hall, the approximately 25,000-sq.-ft. New Products Showcase plays a vital role in connecting buyers, sellers and media,” said Peter MacGillivray, SEMA vice president of communications and events. “If an exhibitor wants to get a product out in front of buyers and the press, entering the New Products Showcase is a no-brainer. An overwhelming majority of buyers look to the Showcase in hopes of finding products that they can add to their businesses, while media attendees make use of the Showcase to cover the latest product trends.”

Given those facts, Show planners do everything they can to encourage exhibitors to take advantage of this tremendous opportunity, said SEMA Show Director Tom Gattuso. “While the New Products Showcase currently boasts more than 2,000 products from hundreds of exhibitors, we still would like to see even higher levels of participation. Almost without exception, exhibitors who actually do participate report better Show results compared with those who don’t.”

Showcase Synergy

 

The SEMA Show’s New Products Showcase is the number-one connection point for exhibitors, buyers and media. In fact, it’s the first destination for Show attendees seeking to get acquainted with the latest, greatest and hottest products the specialty-equipment industry has to offer.
The SEMA Show’s New Products Showcase is the number-one connection point for exhibitors, buyers and media. In fact, it’s the first destination for Show attendees seeking to get acquainted with the latest, greatest and hottest products the specialty-equipment industry has to offer.

  
The New Products Showcase is far more than a static display of aftermarket parts. It’s actually a dynamic, interactive exhibit space that continues to pay dividends long after the Show ends.

First, the cost to exhibitors is nominal—there is no charge for the first new product, and additional products can be entered for $75 a piece. SEMA has also streamlined the process of entering products, with professional teams standing by to help save time. In addition, the SEMA Show has partnered with UPS to simplify return shipping after the Show closes.

The New Products Showcase also makes use of laser scanners and bar codes so that buyers and media can capture product information at the speed of light as they move from product to product. That information can be e-mailed to a specified address or downloaded in several formats, including one for smartphones. Exhibitors, in turn, can look at the data to identify potential new customers and even new market segments. More extensive data fields are also being added into the product descriptions this year to improve compatibility with industry data standards.

Over the years, Show planners have also worked hard to further promote media access for exhibitors, developing a system whereby every new product is professionally photographed and posted so that media can download product content all year long. Moreover, all the photographed products find their way into SEMA News, the association’s trade magazine, which is seen by 18,000 industry professionals monthly. Show planners have also made the Showcase a focal point for international media, who provide feedback for the SEMA Show’s annual Global Media Awards.

But the media exposure doesn’t stop there. The New Products Showcase media efforts this year include an arrangement with Crane Communications’ Autoweek magazine, which expects its audience for SEMA new-product content to reach into the millions. Under the agreement, all Showcase products will automatically be enrolled at no cost into Autoweek’s exclusive SEMA Collection digital marketplace, where the products will be promoted to enthusiasts throughout the year. (To learn more about Autoweek’s SEMA Collection digital marketplace, visit here.)

Beyond products debuting for the very first time, the New Products Showcase also encompasses a Featured Product section for previously introduced products that aftermarket companies also might wish to highlight. “Introduced two years ago, this has turned out to be a very successful addition to the Showcase,” Gattuso said. “Now, if a company has a product that’s not necessarily new but still wants to Showcase it, they have that chance as well. It might be an especially innovative legacy or best-selling product. Whatever the case, there’s no better way to draw buyer and media attention to it.”

The New Products Showcase is primed to become more important to SEMA Show attendees this year than ever before.

“Exhibit space is currently 12% higher than at this time last year, making the 2013 SEMA Show on track to include more than 2,400 exhibiting companies—the highest in the SEMA Show’s 47-year history,” said McGillivray. “As a result, Show organizers have shifted away from a sales strategy and focused instead on helping exhibitors and buyers connect with one another during the event. The trend over the last few years has been one of increased industry optimism. More than 130,000 industry professionals typically attend the SEMA Show, making it the largest annual gathering of small businesses in the United States. Manufacturers and buyers come to the SEMA Show to do business. With a higher number of exhibitors at the upcoming Show, we expect the New Products Showcase to be bigger and more exciting than ever. More important, however, we will be promoting it as one of the best ways to introduce manufacturers, buyers and media to each other.”

Although the Show is right around the corner, it’s never too late for exhibitors to get new or featured products into the Showcase.

“We do have a deadline to take advantage of some price discounts if they have more than one product they wish to enter,” Gattuso said. “However, exhibitors are always allowed to enter one product for free right up to the last day of the Show. So if they miss a deadline associated with a price increase, there’s still no charge if they’re exhibiting just one product. They can Showcase in either the new or featured product category. It’s all up to them.”

Showcase Tips for Exhibitors

To enter new or featured products in the upcoming Showcase, go here. Online registration is easy and takes just minutes. To get the most from your Showcase experience, be sure to read all of the rules and guidelines associated with the registration process.

Of course, drawing attendees to your exhibit space through the New Products Showcase is only the first step. Once at your booth, buyers and media should be able to immediately see the products that brought them there displayed prominently.

“Avoid the common pitfall of cluttering your booth with every product you offer,” suggested Gattuso. “Lead with the core products you showcased and use them as conversation starters to present your business and other related products in a meaningful way.”

Tue, 10/01/2013 - 11:08

SEMA News—October 2013

EVENTS
By Mike Imlay

The New Products Showcase

Connecting Buyers, Sellers and Media at the SEMA Show

 

All products are carefully photographed when they come into the New Products Showcase. SEMA then makes the images available to media and other interested parties all year long, both online at www.semaphotos.com and via SEMA News.
All products are carefully photographed when they come into the New Products Showcase. SEMA then makes the images available to media and other interested parties all year long, both online at www.semaphotos.com and via SEMA News

  
If you’re a SEMA Show exhibitor, product exposure is the name of the game. Your number-one goal is attracting buyers and media to your booth, where you can discuss and demonstrate your new and featured products in person. If, on the other hand, you’re a buyer or media attendee, your priority is saving time and legwork in discovering the latest and greatest product innovations amid more than a million square feet of booths and exhibits vying for your attention. Fortunately, there’s an efficient solution for everyone: The SEMA Show’s New Products Showcase.

For exhibitors, buyers and media alike, the New Products Showcase has become a focal point of the SEMA Show. Survey data indicates that 87% of buyers consider new products their first mission when the Show opens. In fact, it’s common strategy among buyers and media to head for the Showcase first, before they do anything else, because it allows them to review more than 2,000 of the aftermarket’s hottest items in one fell swoop. This helps them decide which booths they will visit during the remainder of the Show. Obviously, exhibitors who display product in the Showcase have an edge.

“Open to all exhibitors and located in the upper level at the east end of the Las Vegas Convention Center’s South Hall, the approximately 25,000-sq.-ft. New Products Showcase plays a vital role in connecting buyers, sellers and media,” said Peter MacGillivray, SEMA vice president of communications and events. “If an exhibitor wants to get a product out in front of buyers and the press, entering the New Products Showcase is a no-brainer. An overwhelming majority of buyers look to the Showcase in hopes of finding products that they can add to their businesses, while media attendees make use of the Showcase to cover the latest product trends.”

Given those facts, Show planners do everything they can to encourage exhibitors to take advantage of this tremendous opportunity, said SEMA Show Director Tom Gattuso. “While the New Products Showcase currently boasts more than 2,000 products from hundreds of exhibitors, we still would like to see even higher levels of participation. Almost without exception, exhibitors who actually do participate report better Show results compared with those who don’t.”

Showcase Synergy

 

The SEMA Show’s New Products Showcase is the number-one connection point for exhibitors, buyers and media. In fact, it’s the first destination for Show attendees seeking to get acquainted with the latest, greatest and hottest products the specialty-equipment industry has to offer.
The SEMA Show’s New Products Showcase is the number-one connection point for exhibitors, buyers and media. In fact, it’s the first destination for Show attendees seeking to get acquainted with the latest, greatest and hottest products the specialty-equipment industry has to offer.

  
The New Products Showcase is far more than a static display of aftermarket parts. It’s actually a dynamic, interactive exhibit space that continues to pay dividends long after the Show ends.

First, the cost to exhibitors is nominal—there is no charge for the first new product, and additional products can be entered for $75 a piece. SEMA has also streamlined the process of entering products, with professional teams standing by to help save time. In addition, the SEMA Show has partnered with UPS to simplify return shipping after the Show closes.

The New Products Showcase also makes use of laser scanners and bar codes so that buyers and media can capture product information at the speed of light as they move from product to product. That information can be e-mailed to a specified address or downloaded in several formats, including one for smartphones. Exhibitors, in turn, can look at the data to identify potential new customers and even new market segments. More extensive data fields are also being added into the product descriptions this year to improve compatibility with industry data standards.

Over the years, Show planners have also worked hard to further promote media access for exhibitors, developing a system whereby every new product is professionally photographed and posted so that media can download product content all year long. Moreover, all the photographed products find their way into SEMA News, the association’s trade magazine, which is seen by 18,000 industry professionals monthly. Show planners have also made the Showcase a focal point for international media, who provide feedback for the SEMA Show’s annual Global Media Awards.

But the media exposure doesn’t stop there. The New Products Showcase media efforts this year include an arrangement with Crane Communications’ Autoweek magazine, which expects its audience for SEMA new-product content to reach into the millions. Under the agreement, all Showcase products will automatically be enrolled at no cost into Autoweek’s exclusive SEMA Collection digital marketplace, where the products will be promoted to enthusiasts throughout the year. (To learn more about Autoweek’s SEMA Collection digital marketplace, visit here.)

Beyond products debuting for the very first time, the New Products Showcase also encompasses a Featured Product section for previously introduced products that aftermarket companies also might wish to highlight. “Introduced two years ago, this has turned out to be a very successful addition to the Showcase,” Gattuso said. “Now, if a company has a product that’s not necessarily new but still wants to Showcase it, they have that chance as well. It might be an especially innovative legacy or best-selling product. Whatever the case, there’s no better way to draw buyer and media attention to it.”

The New Products Showcase is primed to become more important to SEMA Show attendees this year than ever before.

“Exhibit space is currently 12% higher than at this time last year, making the 2013 SEMA Show on track to include more than 2,400 exhibiting companies—the highest in the SEMA Show’s 47-year history,” said McGillivray. “As a result, Show organizers have shifted away from a sales strategy and focused instead on helping exhibitors and buyers connect with one another during the event. The trend over the last few years has been one of increased industry optimism. More than 130,000 industry professionals typically attend the SEMA Show, making it the largest annual gathering of small businesses in the United States. Manufacturers and buyers come to the SEMA Show to do business. With a higher number of exhibitors at the upcoming Show, we expect the New Products Showcase to be bigger and more exciting than ever. More important, however, we will be promoting it as one of the best ways to introduce manufacturers, buyers and media to each other.”

Although the Show is right around the corner, it’s never too late for exhibitors to get new or featured products into the Showcase.

“We do have a deadline to take advantage of some price discounts if they have more than one product they wish to enter,” Gattuso said. “However, exhibitors are always allowed to enter one product for free right up to the last day of the Show. So if they miss a deadline associated with a price increase, there’s still no charge if they’re exhibiting just one product. They can Showcase in either the new or featured product category. It’s all up to them.”

Showcase Tips for Exhibitors

To enter new or featured products in the upcoming Showcase, go here. Online registration is easy and takes just minutes. To get the most from your Showcase experience, be sure to read all of the rules and guidelines associated with the registration process.

Of course, drawing attendees to your exhibit space through the New Products Showcase is only the first step. Once at your booth, buyers and media should be able to immediately see the products that brought them there displayed prominently.

“Avoid the common pitfall of cluttering your booth with every product you offer,” suggested Gattuso. “Lead with the core products you showcased and use them as conversation starters to present your business and other related products in a meaningful way.”